The seven sins of singing on stage

By rockpolaris

When you live as a singer for nearly ten years of my life, I will be in the memories of those disastrous moments, hours or tend to scan the actions that occur once again in the memories again and again to do so. After experimenting with the song to be aware of small and large numbers of people living in the glamorous Casino, Hotel Prestige, a lounge bar, coffee and even the toilet sir, I present a song a few sins, "and you should really avoid?

1.Boredom

Ah, yes, it happens to everyone from time to time, especially after a little 'time to do the same amount in the same place at the same time … yawn. "Yes, after the Thrill Is Gone, you realize that you still have the song for the dinner to hear their own song …. again …. and again …. and see how each other work and finally discover that you can start to be boring!

Back to use energy in order to ensure thatThat at the song list from time to time. Taken the trouble to add new songs and ditch old, especially for people may not react well to learn! There is also a good idea, not concentrated in one place on the ceiling all night, and certainly does not look good on one person all night (unless it is two meters tall, gorgeous, and the strength of each night for you!) Plus has the habit, so that your mind is "lost." Sometimes it can be in the middle of a song andI study the pattern of flowers tents in the back of the room!

It 'was then that I had to change the scene, the place, the title … .. something!

When you set up the boredom, becomes monotonous job like any other, and then live in front of an audience is a great way to make money, treat them as such act and embrace, words and emotions with enthusiasm and force. Show enthusiasm and people are talking through every song he sings with them.

2.They move to the rhythm of the beat!

Often he sang softly, lounge bar, and local, leading to sit back and let all my energy into my vocal performance. The goal was spent on every note and the amount of emotion that can be represented within the song. But some of my ideas are optimistic and energetic. At that time it was necessary to get the audience to dance. Enter your best for the future and move forward.

During playback of a hearing once a week for a singerConcert, I had everything that moves for them, except that almost everyone on stage. Much of the frantic arm waving ensued, and what seems to be the trainer flies Invisible Maniac. This strange activity continued during his performance, in which the feet firmly on the ground.

Although I advise you not to jump across the stage of kangaroo. Or even try to dance when you can not just dancing, I recommend some type of whole body movement in time by more up-tempo music. Noor exaggerate the swing of the arm and race on the stage in a frenzy. and never again (unless the crowd Jon Bon Jovi).

Remember, if you bring on the stage of "you" are fun, and "you" is the song, so the audience something to himself and wants to go dancing together or with you.

3. Deep breaths.

One of the hardest things to check, for the singers onstage is his breath. Once in the nerve and cardiac calciumPump starts, it's almost as if they just try to encouragement from the left and go behind the curtains. To stop now! Because if "learn" to live in depth and breath control for a couple of weeks before the game and breathe, you can sing without any problems.

A microphone placed in front of the mouth to the public, to hear her sing. He snorts and grunts and groans heavy can cause fear among them. Practice makes perfect, and thesay, and it's a good idea, many ears and listeners willing to give as much as possible before the collision with a stage, and do not forget to ask when you reserve all the quirks with the breath through the speakers.

4. Focusing on one and cover everyone.

I can not stress how important this is. I once had a concert where the singer appeared at a hydrant in the corner of the room to see, through his total commitment. What am I thinking? It 'a good idea to seethe crowd, but do not keep their eyes on a person for more than a few seconds. The point is, so as not to feel uncomfortable in the public, and also for nervous singers, drill where a person appears to be in the public eye a bit 'strange (like the nose!) May not be able to continue like singing without laughing!

I have often seen this kind of thing and had to close his eyes to regain control of myself. However, many laughsgets the better of me when halfway through a song in a cozy little restaurant where a visitor came from nothing and turned me into a state of confusion. Then he tried to get my attention and seemed to try to ask me where the bathroom was! Well, obviously, some people in the crowd laughed at this, and what I could not help but break my rest his voice for a moment to have a laugh!

However, be warned, the strangest things happen on the scene, soNot focus on one person to play the whole room.

5. Getting the right sound!

As the singer is his duty to the whole song to life, no matter how good or bad can be with the support of the music! If you are drowning the engineer or the rest of the band of the signal. If not, you can listen to right you can have a single small monitor speaker first place to feed his voice with you. Check all optionsComments to play live. A small dose of an accident, the feedback is bearable, but men do not want to go home with perforated eardrums.

The acoustics of the sound varies from room to room, and the size of the room makes a difference, then again to absorb so many people in the room at the moment (the frequencies, you know) It is very much to increase the volume when the room is very complete.

At the end of the day is not toofussy or demanding, and work well with the rest of the band, if you want a piece of Pierce fly in neck! Speak as you would like to be spoken, when the level with the band, which is the best way of doing things to solve.

6. Make the microphone work for you.

Choose a good dynamic microphone and make sure that all levels of the microphone and the position is classified in advance. Many singers worst fear is that the microphonego on strike, fall, or worse, fly across the room and suddenly someone in the head!

Just kidding about the last! Well, I never heard that happen!

Make sure the microphone does not obstruct their work, they can do. The only point the microphone to record his voice is enough to reach the ears of everyone in the room. That is all. (Reverb Plus you have a nice little dream, and with immediate effect.) But the point is not altogether out of fear of the beastand use it to their advantage.

Some singers take their microphones in their hands (a bit 'dangerous, too expensive microphones that pick up the slightest noise or TAP). Others like to use an external microphone (much safer, because you do not want your time, if Freddie Mercury put it in the air to lose!)

Total new singers should improve with a state of the practice, and whether the confidence and ability, can move with the microphonefacilitate.

7. Do not forget to smile.

There's nothing worse than a sad expression, and if (you sing a song and how happy you did) vacuuming really going on, have a negative effect on people. But did you know that the words he sang, if any other form of art?

Do not smile, as if you were face to face, heard his mother (his teeth)! It should also smile, as you've just seen a ghostHoly Mother of God

A combination of the two is probably sufficient.

It 'a good idea to leave a smile when I sing a love song sad, really sad, he wants to arouse emotions in your audience. Are your feelings on the face and left the rest of the vacuum.

Hopefully, the "seven deadly sins to avoid, bringing their performance on the stage of life, and helps you practice until you get to perfection. Most definitely know when this happens, and ifhas reserves of more live in single file several days a week for them!

Singing happy!

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